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I'm a big Langston Hughes fan; he had a gift for putting ideas into challenging yet embracing truths, and boy, was the man prolific. He wrote dozens of poems, plays, short stories and novels, many that are appropriate for a middle- and high-school-age classroom.
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Last week, Visual Thesaurus contributor and New York public school teacher Shannon Reed shared some experiences about the richness of student slang that she had encountered. Here is a counterpoint to Shannon's piece, from a new member of the VT sales staff, Elissa Seto. Before joining the VT team Elissa taught science at an urban middle school in the South Bronx. While a fan of slang, Elissa is also concerned about how student reliance on nonstandard speech may be symptomatic of what educators call the achievement gap.
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Teachers sometimes feel like their students live in a different linguistic world. The varieties of English spoken by students these days may be jam-packed with slang and other colloquialisms largely impenetrable to their teachers, especially when there's a difference in cultural background. Though the teacher's job is to train students in the proper use of standard English, can that be balanced by an appreciation of the diversity of student slang? To answer that question, we're checking in with two teachers with experience in the New York City public school system. First up is Shannon Reed, who writes regularly for our Teachers At Work section.
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True confession time: I'd never read Ernest Hemingway's Pulitzer Prize-winning The Old Man and the Sea until a couple of weeks ago, for this column. Yeesh, I know, I know, and I'm sorry. Walk away from this column if you must, convinced I'm not qualified to give you any advice for your ELA classroom. I wouldn't blame you. All I can say is that the high school I went to didn't have a cracker-jack curriculum, and, um, I hate fish. I really do. I have a phobia about all creatures of the sea, actually, and fish aren't even my most dreaded. Let's put it this way: if the book was titled The Old Man and the Squid, this column would be about a Jane Austen book.
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There's a little sticker reading "Sci-fi/Fantasy" on the cover of my library copy of Natalie Babbitt's Tuck Everlasting. Well. I guess this novel, about the inadvertently-immortal family the Tucks, and their run-in with the mortal human world, is a fantasy, but only in the same way Little House on the Prairie and Anne of Green Gables are fantasies. For my beloved little Tuck creates and populates a world — in this case, a small town in the 1880s called "Treegap" — just as surely as those classics do, without aliens, space travel or weird people in trench coats lurking around. I hate to see this gem of a novel get brushed off to a genre audience, for it has much to teach classrooms of young adults.
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This school year has roared out of the blocks like Usain Bolt running the 100 meter sprint in Beijing. And like Mr. Bolt, every member of the school community is learning that their capacity to go faster and accomplish more is yet to be discovered. But even with numerous multi-tasking and time-management challenges, I've had a few moments to pause and enjoy the enthusiastic and intelligent learning connections teachers at my school are bringing to their students.
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In my last column, I began an overview of how Thornton Wilder used language in his classic American play, Our Town. Teachers, you'll want to read that column before picking up here, which points out several more ways Wilder adeptly used words in his play. You'll be able to use these ideas in your classroom.
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